“Sweet dreams are made of this” digitaldisobediences at the venice biennale
I heard about ? an exhibition. Somewhere in Venice. They said they were architects … but they spoke not of walls and roofs, but of power struggles and resistance, new relationships between human beings and technology – one that is intertwined with morality and intelligence, among other things …
Tell me about it ?
It?s a Plato grotto, at Bembo Palazzo, at Biennial Venice 18, a shadowing theatre, a kind of Dorian Gray glitch which reports an inaccessible strata? where computation was/has been/should have been involved in post-politic, post-feminist-post-democratic?in a stuttering time?
A grotto, as a resistance, through the masochism recognition of the defeat, as the last sign of workerism strategy to infiltrate (b)data, to de-alienate managerial storytelling by post-capitalism age / in Schizophrenic logics, digital and analogue, anthropo-technologic, human and machinist?in their simultaneous and contingents pathologies and lines of escapes? ..it proceeds by variation, expansion, conquest, recycling, adapting, capturing, embracing, tweaking… It is a connection to sexuality, anima mundi, photomorphogenesis, terra mater, affairs of cities, artifice, machines and bits… like a thousandth plateau… it means discovering continuous areas of intensities pulsating all by themselves and evolving by avoiding being directed toward a culminating point or external end, a little war machine, an automatic pistol of combinations, associations… assemb...
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