"Interior design casually borrows from cultures it finds aesthetically pleasing without hiring people from those backgrounds"
Borrowing aesthetics from a range of cultures masks the lack of racial diversity in interior design and it is now time to change this says Bhavin Taylor.
As a BAME designer, I am well aware of the lack of diversity and the dearth of representation within interior design. The issue is not new and has been going on in our industry for years.
Coming from an Indian background ? with its own strong cultural heritage ? a creative career is not often understood, nor seen as a stable career path by those around me. Growing up, I was hindered by the fact that there were no role models that looked like me who could offer aspiration or relatability. This made the decision to become a part of the industry a difficult one. It is not an environment for those who aren't comfortable standing out ? luckily, I am not one of them. I was only one of two people of colour in my class. All the teaching staff were white
This lack of diversity was apparent throughout my younger years and especially so when I entered the industry. Starting at interior design school, I was only one of two people of colour in my class. All the teaching staff were white. This has continued throughout my career. In the professional workplace and at industry events, I am always in the minority. This is particularly noticeable in media and television, where the representation of BAME (black, Asian and minority ethnic)Â designers is sadly lacking.
Our industry, which is all too often one seen as being crafted only by Magn...
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