Against The Tide: Inside Chile's Pavilion at the 2016 Venice Biennale
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.
Courtesy of Consejo Nacional de la Cultura y las Artes
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show. Against the tide presents the efforts of a generation of young architects who have conceived, designed, and constructed works of architecture, while also arranging their financial and contractual aspects as part of the requirements for their professional degree in architecture. All they have in common is that they belong to the Central Valley of Chile, where they have returned following their academic training to contribute to their communities, creating architectural projects which connect to a set of places where the region?s campesinos and their families can live and work.
These architectural projects have been erected with minimal resources, with the residues of agricultural processes and with readily available local materials, contributing value and inserting the territory into a global context through a regional ?but not a costumbrist? approach.
© Andrea Avezzù / CortesÃa de La Biennale di Venezia
Out of this rural landscape and environment, in a state of constant transformation du...
Courtesy of Consejo Nacional de la Cultura y las Artes
As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show. Against the tide presents the efforts of a generation of young architects who have conceived, designed, and constructed works of architecture, while also arranging their financial and contractual aspects as part of the requirements for their professional degree in architecture. All they have in common is that they belong to the Central Valley of Chile, where they have returned following their academic training to contribute to their communities, creating architectural projects which connect to a set of places where the region?s campesinos and their families can live and work.
These architectural projects have been erected with minimal resources, with the residues of agricultural processes and with readily available local materials, contributing value and inserting the territory into a global context through a regional ?but not a costumbrist? approach.
© Andrea Avezzù / CortesÃa de La Biennale di Venezia
Out of this rural landscape and environment, in a state of constant transformation du...
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