David Adjaye Discusses the Narrative of the National Museum of African American History
This article was originally published by Metropolis Magazine as "Constructing a Narrative."
The National Museum of African American History and Culture (NMAAHC), which will occupy the last available site on the National Mall, was a challenge for British architect David Adjaye, who is known for designing buildings that are highly referential to their surroundings. Image © Alan Karchmer
This article was originally published by Metropolis Magazine as "Constructing a Narrative."It?s rare for an architect to have the opportunity to design a building in which symbolism and form are as important as function, if not more so. But this was the task given to David Adjaye when he won the commission to design the National Museum of African American History and Culture (NMAAHC), which, when it opens in September, will be the final Smithsonian institution to take its place on the National Mall in Washington, D.C. Adjaye, whose work is marked for its extreme sensitivity to context, found himself challenged in ways he had never been before. On the occasion of the completion of Adjaye?s Eugene McDermott Award residency at MIT, Metropolis editor Vanessa Quirk spoke with the architect about the new institution, its symbolic significance, and the blurry boundary between monument and museum.
With no dense urban context to draw from, Adjaye eventually found inspiration in the cl...
The National Museum of African American History and Culture (NMAAHC), which will occupy the last available site on the National Mall, was a challenge for British architect David Adjaye, who is known for designing buildings that are highly referential to their surroundings. Image © Alan Karchmer
This article was originally published by Metropolis Magazine as "Constructing a Narrative."It?s rare for an architect to have the opportunity to design a building in which symbolism and form are as important as function, if not more so. But this was the task given to David Adjaye when he won the commission to design the National Museum of African American History and Culture (NMAAHC), which, when it opens in September, will be the final Smithsonian institution to take its place on the National Mall in Washington, D.C. Adjaye, whose work is marked for its extreme sensitivity to context, found himself challenged in ways he had never been before. On the occasion of the completion of Adjaye?s Eugene McDermott Award residency at MIT, Metropolis editor Vanessa Quirk spoke with the architect about the new institution, its symbolic significance, and the blurry boundary between monument and museum.
With no dense urban context to draw from, Adjaye eventually found inspiration in the cl...
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