Fernando Lazzari's music video for Reid Willis combines natural and "supernatural" imagery - architecture and design

Fernando Lazzari's music video for Reid Willis combines natural and "supernatural" imagery



London-based director Fernando Lazzari combined 3D animation with 360 degree images of natural environments to develop a "unique universe" in the music video for Reid Willis' The Slow Knife (+ movie).

Lazzari was keen to create an open narrative with the video, offering no explanation for the images and events in the movie to encourage the viewer to create their own story.

"I like the idea that anyone watching it has their own interpretation," he told Dezeen. "There's not a very definitive story, but there are moods, a number of ideas and various processes and transformations."
"It plays around with having the structure of a traditional story, so hopefully the viewer creates his own thing," he added.
The film begins from the perspective of an unidentified being that appears to be racing through a forest.
The video then cuts to a woman laying on the ground, and then a cloud of smoke appearing in mid air.

The woman awakes, and finds herself stood next to a large spherical object that hovers in the air, with thousands of tiny objects swarming across its surface and orbiting around it.
She then walks back towards the forest, with a confetti-like stream of tiny objects following her and rising up around her feet. These objects begin converge, creating a tornado-like force which knocks her to the ground.

The tornado of objects then shape-shifts into a human-like breakdancing figure, before retracting into a small cluster an...
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presentation NV 181009 Projects Art and Architecture with music

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