Frans Masereel Centre | LIST + Hideyuki Nakayama
Frans Masereel Centre
Geometric operation. The task of adding a new pavilion requires to be both attentive to its architectural qualities, and prospective about its potential. The new building is neither an ode nor a critic towards the existing center. It tries, above all, to find rich complementary interrelations with the existing environment and to charge the space in and around it with new possibilities. The designed pavilion acts as a Machikado.
Photography by © Jeroen Verrecht
This Japanese word refers to a city-corner and is similar to a French Passage. Like a crossroads it concentrates and diffuses at the same time, encouraging equally interaction and isolation. The different dispersed spaces ? such as the printmaking studio, where artists can concentrate on their work or the exhibition hall where visitors can wander around the displayed work ? cross paths at the center of the new building. Photography by © Jeroen Verrecht
Materials. The new pavilion is above all a place of production with printmaking studios and workshops, filled with all kinds of machines and presses. The space is therefor not designed as an art gallery but as an atelier. The materials and finishing are simple and none of the technical elements (cables, ventilation ducts..) are hidden. The pavilion is built using traditional construction materials and techniques.
The outer walls are made out of dark red bricks and the inner leaf is a block wall with concrete columns. There are two types of openin...
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