High Rise is "not a criticism of post-war architecture" says director Ben Wheatley
The main character in High Rise, a new movie based on JG Ballard's dystopian novel, is a residential tower that "doesn't care about the people inside it" and is designed by an arrogant architect. Director Ben Wheatley spoke exclusively to Dezeen about the film and why it "isn't a takedown of the architects of the 50s and 60s" (+ interview).
Set on the outskirts of London, the film presents the events that follow the opening of the first of five concrete towers, which are laid out like curled fingers of a hand.
Wheatley, who admitted that he is "slightly prejudiced against tower blocks", collaborated with production designer Mark Tildesley to create the building and its setting.
Described by the Architecture Foundation as appearing "jointly inspired by Abalos & Herreros' Torre Woremann in Gran Canaria mixed with Neave Brown's Alexandra Road Estate in Camden", the upper portion of the menacing structure is angled diagonally at the top, so its chunky floors become balconies on one side but cast shadows on the other.
Its interior features thick columns that angle outward from floor to ceiling, imposing on the apartment spaces.
"[Mark] had this image of a triangular buttress shape, and that worked for us in a lot of different ways," Wheatley told Dezeen.
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