BY ZACH MORTICE
Minbo Zhao?s ?Better Trail, Better Life.” Image courtesy the University of Illinois at Urbana?Champaign.

For her study of the landscape dimensions of the opioid crisis, Aneesha Dharwadker, a designer in residence at the University of Illinois at Urbana-Champaign, taught an undergraduate and graduate studio grounded in the endlessly complex set of cultural, economic, and environmental factors that contribute to addiction. Called ?Landscapes of Dependence,? the landscape architecture studio synthesized research into a diagram called ?The Labyrinth of Addiction.?
The diagram portrays addiction not as a cycle or individual pathology, but as an intricate maze, an array of orbits connecting the pharmaceutical industry, poppy cultivation, the environmental conditions of users, health care resources, and local institutions?punitive and otherwise. As explained by the accompanying website and manifesto ?The Declaration of Dependence,? there?s no single entry point to the labyrinth, no clear linear progression, and only one dead end: fatality after an overdose. Everything else is an endless feedback loop. Invited by Dharwadker onto campus for reviews in April, I was confronted by the intimidating vortex her students were tasked to defy. “The Labyrinth of Addiction.” Image courtesy the University of Illinois at Urbana?Champaign.
But this diagram (assembled after weeks of research) allows students to intercede and disrupt these loops anywhere along th...