MandÃbula / Sub Estúdio
A small office, white walls and low white ceiling. This was the place we had to put down to find what was behind all that painting. During the entire process we were inside, It was a demolition process where we were curating what we wanted to see, deciding what should go and what should stay. Through the process we found the concrete under that painting, all kinds of bricks, the concrete slab on the ceiling. When we could finally see all that together, we started to choose how to show them according to the briefing we had.
© Tomás Cytrynowicz
Architects: Sub Estúdio
Location: São Paulo - State of São Paulo, Brazil
Design Team: Isabel Nassif, Renata Pedrosa
Photographs: Tomás Cytrynowicz
Construction: Reprenc
Metal Work (Mezzanine E Furniture): MCC Estruturas Metálicas
Wood Work: Quitanda Urbana
© Tomás Cytrynowicz
From the architect. A small office, white walls and low white ceiling. This was the place we had to put down to find what was behind all that painting. During the entire process we were inside, It was a demolition process where we were curating what we wanted to see, deciding what should go and what should stay. Through the process we found the concrete under that painting, all kinds of bricks, the concrete slab on the ceiling. When we could finally see all that to...
© Tomás Cytrynowicz
Architects: Sub Estúdio
Location: São Paulo - State of São Paulo, Brazil
Design Team: Isabel Nassif, Renata Pedrosa
Photographs: Tomás Cytrynowicz
Construction: Reprenc
Metal Work (Mezzanine E Furniture): MCC Estruturas Metálicas
Wood Work: Quitanda Urbana
© Tomás Cytrynowicz
From the architect. A small office, white walls and low white ceiling. This was the place we had to put down to find what was behind all that painting. During the entire process we were inside, It was a demolition process where we were curating what we wanted to see, deciding what should go and what should stay. Through the process we found the concrete under that painting, all kinds of bricks, the concrete slab on the ceiling. When we could finally see all that to...
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