The Light Box / Esculpir el Aire
Experience of a induced wayThe design of a new inner space understood as a scene for the action, within a forced perspective, where the visitors walk along inside it becoming unconscious forward movement: to make an induced way experience a reality.
© José Ãngel Ruiz Cáceres
Architects: Esculpir el Aire
Location: Alicante, Spain
Activity: Real Estate Office
Architect: Esculpir el Aire / José Ãngel Ruiz Cáceres
Photographs: José Ãngel Ruiz Cáceres
Collaborators: Mónica Costa + Gloria Soler Ródenas + Ana Adeva Gil
Photographic Post Production: Ana Adeva Gil + Gloria Soler Ródenas
© José Ãngel Ruiz Cáceres
Experience of a induced way
The design of a new inner space understood as a scene for the action, within a forced perspective, where the visitors walk along inside it becoming unconscious forward movement: to make an induced way experience a reality.
© José Ãngel Ruiz Cáceres
The Light Box is a place for lighting encounters and has been designed with the clear intention of addressing the users into the last room like a fine-drawn fishing net. The lines of action show a way by using visual and haptic perception together, across the set, becoming our physical movement of displacement: the bent reception furniture, the curved ceiling from left to...
© José Ãngel Ruiz Cáceres
Architects: Esculpir el Aire
Location: Alicante, Spain
Activity: Real Estate Office
Architect: Esculpir el Aire / José Ãngel Ruiz Cáceres
Photographs: José Ãngel Ruiz Cáceres
Collaborators: Mónica Costa + Gloria Soler Ródenas + Ana Adeva Gil
Photographic Post Production: Ana Adeva Gil + Gloria Soler Ródenas
© José Ãngel Ruiz Cáceres
Experience of a induced way
The design of a new inner space understood as a scene for the action, within a forced perspective, where the visitors walk along inside it becoming unconscious forward movement: to make an induced way experience a reality.
© José Ãngel Ruiz Cáceres
The Light Box is a place for lighting encounters and has been designed with the clear intention of addressing the users into the last room like a fine-drawn fishing net. The lines of action show a way by using visual and haptic perception together, across the set, becoming our physical movement of displacement: the bent reception furniture, the curved ceiling from left to...
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