?Mass customization? is the core concept of computational design, which distinctively differs from the notion of industrial revolution marked as ?Mass production?. The way an architect and a fashion designer works are very similar in the digital design process. Most building materials are found in a specific or a continuous sheet format; i.e. steel sheet, fabric are found in continuous format and brick, glass, wood, particle board are in a fix dimension. Therefore, whatever the size, dimension and format of a material are, it could be used in any complex form through a proper detail, as a fashion designer does with a piece of cloth; the outcome is never anticipated in respect of the use of a particular material. This installation project has been done with the underlying theme of ?Touch the virtual?. It was an experimental work of ?[S.O.F.T] lab? with the students of Design Studio V at AIUB and the idea was to explore the process of fabricating a complex geometry in real. Geometry, form, structure and pattern were the key issues. No doubt, Rhinoceros and Grasshopper are the most popular and widely used software in academy and in practice and we used the same. An art form expressing the structure and aesthetics simultaneously; is standing on a base and three points from the base are spirally moving upward, splitting on the way and finally meeting at one point centrally. These three points formed three identical clusters which blend with each other and the twisting geometric ...